Art and Film since 1945
Hall of Mirrors Exhibition
Organized by Kerry Brougher, "Hall of Mirrors: Art and Film Since 1945" was the only museum exhibition chosen for the International Motion Picture Centennial celebrating the hundredth anniversary of the birth of cinema. The exhibition explores the complex and profound relationship between cinema and other visual arts. It examined how art has shifted toward film, how film has been influenced by art, and how the two have fused into new forms of artistic expression
Richard Koshalek
Introduction and Acknowledgments
Kerry Brougher
Beautiful Moments by Russell Ferguson, Editor at The Museum of Contemporary Art, Los Angeles
The "Other" Cinema: American Avant-Garde Film of the 1960s by Bruce Jenkins, Curator of Film and Video at the Walker Art Center, Minneapolis
Engaging Perspectives: Film, Feminism, Psychoanalysis, and the Problem of Vision by Kate Linker, independent art critic and author of monographs on the work of Vito Acconci and Barbara Kruger
Notes on Painting and Film by Robert Rosen, Chair of the Department of Film and Television and director of the Film and Television Archive at the University of California, Los Angeles
Dr.Mabuse and Mr. Edison by Jonathan Crary, founding editor of Zone Books, is an associate professor of art history at Columbia University. He is the author of "Techniques of the Observer"
History Without Object by Molly Nesbit, assistant professor in the Department of Art at Vassar College. She is a contributing editor at Artforum and is the author of "Atget's Seven Albums"
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Hall of Mirrors Exhibition
Organized by Kerry Brougher, "Hall of Mirrors: Art and Film Since 1945" was the only museum exhibition chosen for the International Motion Picture Centennial celebrating the hundredth anniversary of the birth of cinema. The exhibition explores the complex and profound relationship between cinema and other visual arts. It examined how art has shifted toward film, how film has been influenced by art, and how the two have fused into new forms of artistic expression
CONTENTS:
Director's ForewordRichard Koshalek
Introduction and Acknowledgments
Kerry Brougher
ESSSAYS:
Hall of Mirrors by Kerry Brougher, curator at The Museum of Contemporary Art, Los AngelesBeautiful Moments by Russell Ferguson, Editor at The Museum of Contemporary Art, Los Angeles
The "Other" Cinema: American Avant-Garde Film of the 1960s by Bruce Jenkins, Curator of Film and Video at the Walker Art Center, Minneapolis
Engaging Perspectives: Film, Feminism, Psychoanalysis, and the Problem of Vision by Kate Linker, independent art critic and author of monographs on the work of Vito Acconci and Barbara Kruger
Notes on Painting and Film by Robert Rosen, Chair of the Department of Film and Television and director of the Film and Television Archive at the University of California, Los Angeles
Dr.Mabuse and Mr. Edison by Jonathan Crary, founding editor of Zone Books, is an associate professor of art history at Columbia University. He is the author of "Techniques of the Observer"
History Without Object by Molly Nesbit, assistant professor in the Department of Art at Vassar College. She is a contributing editor at Artforum and is the author of "Atget's Seven Albums"
Art and Film: A chronology
by Mariana AmatulloBOOK of the Exhibition
Edited by Russel Ferguson featuring work by more than one hundred of the country's most remarkable filmmakers and artists, such as Joseph Cornell, Alfred Hitchcock, Akira Kurosawa, Jean-Luc Godard, Michelangelo Antonioni, Richard Hamilton, Diane Arbus, andy Warhol, Raul Ruiz, John Baldessari, Cindy Sherman, Hiroshi Sugimoto, and Stan Douglas.Related LINKS:
